Review: ‘Dark Phoenix’ is the final plunge for a franchise that forgot how to soar

An unusual contradiction of expectations await the arrival of “Dark Phoenix.” For reasons motivated more by corporate hegemony than pure storytelling, the 12th entry in the “X-Men” franchise is essentially the last under the 21st Century Fox umbrella, following the studio’s acquisition by Disney earlier this March.

So, suddenly and somewhat startlingly, “Dark Phoenix’s” responsibilities are multiple, not the least of which is to provide a sense of finality. Depending on where your franchise loyalties lie, that may not be nearly as important as fixing the mistakes of 2006’s Brett Ratner-directed “X-Men: The Last Stand”; after “Days of Future Past” – still the most memorable of this recent run of “X-Men” extravaganzas – nuked its timeline in 2014 in ways we still don’t quite understand, the franchise had a clean slate to revisit the beloved Dark Phoenix comics storyline, and to tell it the right way.

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Stan Lee’s impact on someone who never opened a comic book

I had just turned 9 years old when Dad took me to see “Spider-Man 2” at an Indiana movie theater. It was the summer of 2004, and there was little foundation in my mind for what I could expect to marvel at on the big screen, other than the first Spidey movie and a tie-in computer game I spent some time playing a few years prior.

Of course, that didn’t stop me, nor millions of others, from having a hell of a moviegoing experience. In 2018 “Spider-Man 2” still a highlight of the genre—even though its arrival was still early in the era of the superhero movie, when Marvel Cinematic Universe wasn’t yet a part of the Hollywood lexicon.

It was also a movie that led me to an epiphany. Continue reading →