Review: In ‘Little Woods,’ Tessa Thompson and Lily James fight for opportunity where there’s none to be found

A progressive rage simmers at the despondent heart of “Little Woods.” It isn’t just that writer-director Nia DaCosta spends a busy 95 or so minutes examining how working-class economic anxiety often begets the toppling chain of dominoes for those trapped in it, but more so that she unfolds her debut feature through the lens of a complex, dynamic relationship we surely don’t see enough of on-screen, and even less so in a movie of this kind.

Tessa Thompson and Lily James play two sisters, Ollie and Deb, who at movie’s start could certainly be faring much better than they are. The former, in a way, is; Ollie is getting her life together after being caught smuggling drugs at the border (the U.S.-Canada border, that is). She’s only got a few days left on her parole. And while she’s looking to create change for herself via legal means, the daily grind is still unmitigatedly just that—a daily grind.

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Review: Boots Riley announces his presence with authority and absurd satire in ‘Sorry To Bother You’

There’s a moment early in the third act of Boots Riley’s “Sorry To Bother You” when the writer-director crosses a line.

It’s not the line, but only because there are several borders to increasingly absurd territory over the film’s runtime. It’s not completely non-sequitor, because anything less might stall the plot’s exponentially batshit crazy momentum.

And you can’t quite argue against it, because it’s a plot development that might hue quite close to normalcy—at least that’s what we come to believe after spending some time in Riley’s head. Continue reading →