Review: Olivia Wilde is a weary warrior in the contemplative, inconsistent ‘A Vigilante’

I’m not totally sure if “A Vigilante” – the feature debut from writer-director Sarah Daggar-Nickson – is meant to be soaked up as entertainment so much as a reconciliation between movies-as-art and movies-as-therapy. The small-scale story is interested in a single dominating issue, that of domestic violence, though in ways that feel inconsistently intentioned, despite the high amount of promise on display Daggar-Nickson.

Her screenplay is a contemplative, slippery ice puck of a revenge-fantasy story, slip-sliding everywhere in chronology and priority. The movie has some interesting, if questionable, points to make about an issue that many other films are frustratingly content with circling overhead of, namely: Does eye-for-an-eye have a place in the age of #MeToo? Where is the line drawn between moving on and fighting on, and – more urgently, at least in the movie’s purview – are they one-in-the-same? Continue reading →

Review: Mads Mikkelsen tries to escape the worst of winters in ‘Arctic’

Much like the immediate outlook of its unlucky characters, the details are stark in “Arctic.”

In Joe Penna’s pulls-no-punches survivalist drama, the seemingly skyscraper-sized “SOS” carved out in deep snow; the remains of a grounded, battered plane that looks like it’s flown through hell and back; and the pop of red of a winter coat breaking a seamlessly, blindingly white winter panorama are impossible to miss—the foundation for a story of clenched-teeth resilience that doesn’t lend itself to rose-tinted inspiration so much as explore the prickly grittiness of how we respond when pushed to our absolute limits, and ultimately beyond.

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