Review: Spidey is “Far From Home,” in a movie that is far from memorable

Spider-Man’s movies, more than any other superhero this side of the DC/Marvel divide, are identified by their villains—how memorable they are, and often the tangible connection they have to the movie’s most memorable scenes.

The one with a tentacled Alfred Molina, and the train battle.

The one with a winged Michael Keaton, and the twist that bares its teeth en route to a high school dance.

The one with a cackling Willem Defoe, and that stupendously horrific metal mask.

In “Spider-Man: Far From Home,” the big bad is the big bowl-headed Mysterio—a fascinatingly zany, stoicly formulaic amalgam played by the consistently zany, never-formulaic Jake Gyllenhaal, who fills his armored suit with the unkillable ambition of a smartass whose plans seemingly depend on being little more than a smartass. Gyllenhaal’s presence is the movie’s cheeky wink in A-list actor form, never less than incredulous and never more than high-concept gag, Continue reading →

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Stan Lee’s impact on someone who never opened a comic book

I had just turned 9 years old when Dad took me to see “Spider-Man 2” at an Indiana movie theater. It was the summer of 2004, and there was little foundation in my mind for what I could expect to marvel at on the big screen, other than the first Spidey movie and a tie-in computer game I spent some time playing a few years prior.

Of course, that didn’t stop me, nor millions of others, from having a hell of a moviegoing experience. In 2018 “Spider-Man 2” still a highlight of the genre—even though its arrival was still early in the era of the superhero movie, when Marvel Cinematic Universe wasn’t yet a part of the Hollywood lexicon.

It was also a movie that led me to an epiphany. Continue reading →