“Marriage Story,” Netflix’s newest offering that finds the life-traipsing of writer-director Noah Baumbach at his most soulfully devastating, begins with a pair of monologues from the couple at its center played over scenes from a marriage. You may remember snippets from the trailers – she loves that he’s brilliant, he loves that she’s brave – but some details are missing. Who are these things being said to? Who are they being said for?
The questions are answered early. And, well…it’s complicated. But if you think those mirroring floods of compliments are Charlie and Nicole at their most honest, prepare to be emotionally walloped by “Marriage Story”—one of the very, very best movies of the year.
It isn’t a spoiler to say “Marriage Story” ends with divorce, but this is largely, and marvelously, unlike most divorce movies you’ve seen. It’s certainly not like Baumbach’s own “The Squid and the Whale,” a thornbush of a film in which every other caustic remark rocketed between members of the Berkman family is intended to do maximum damage. In the story of Adam Driver’s Charlie and Scarlett Johansson’s Nicole, whose mutual vow to keep an initial, seemingly amicable separation free from the tentacles of lawyers is doomed from the start, Baumbach trades in causticity for the infantile inexperience of two people navigating new waters of love and life as they become uneasy participants in contemporary structures meant to pit them against each other. It’s a key choice by Baumbach that Charlie and Nicole aren’t out to make enemies of themselves, and it’s not just for the sake of their son. The auteur is exploring something more heart-wrenching and universal: If we give ourselves completely over to another, what could possibly be left of us when they’re no longer by our side? Continue reading →