‘Knives Out’ Review: Rian Johnson’s clever, caustic whodunnit rips into the uber-entitled as it subverts a classic genre

This review was originally published on KENS5.com, and can be viewed here. 

 

You haven’t met a family at the movies this year that’s easier to hate than the chronically self-righteous, self-serving Thrombeys, who shamelessly leech off the wealth of patriarch Harlan – a successful mystery writer – and for whom the suggestion of creating something with their own hands seems more like cruel and unusual punishment than a gentle nudge towards individual autonomy. The movie’s stunning carousel of actors (among them Michael Shannon, Toni Collette, Jamie Lee Curtis and Chris Evans) fills their shoes with exaggerated greed and understated villainy, but this family’s mask of superiority also indicates something deeply ingrained—a resentment for all things unfamiliar, and for those who enter their cavernous country mansion without permission.

At the start of Rian Johnson’s caustically funny and cleverly-constructed “Knives Out,” the Thrombeys are grieving Harlan’s death. The evidence seems to indicate he committed suicide the week before, just as he had turned 85 at a party attended not just by his family, but also his nurse, Marta (a great Ana de Armas somehow still in the breakout phase of her career). A week later, the police are back for another round of questioning, this time accompanied by man observing from a distance: Detective Benoit Blanc (Daniel Craig, fiendishly good and spilling words like molasses with a southern drawl). Suffice to say, the case may not be an open-and-shut affair as previously thought, and Johnson, working from his own scrupulous screenplay, continues a career-long mission of leaving his mark on well-worn genres while thematically elevating them to new levels. Continue reading →

Review: ‘Last Jedi’ is an epic in the best and worst of ways

The “Star Wars” franchise, by its very nature, demands that high expectations be asked of it.

While writer-director Rian Johnson’s first offering to the world’s biggest entertainment vehicle is undoubtedly the popcorn flick of the year many have been looking forward to, it’s hard to shake the feeling that the episodic Skywalker saga is in danger of going into cruise control.

In terms of blockbuster action, it’s an oversaturated blast to witness. Narratively, though, it struggles to make the jump into lightspeed.

Johnson takes the reins from J.J. Abrams, cutting down on the nostalgia factor in the process. While Abrams’s story created new conflicts and heroes to root for, Johnson focuses on the introspective journeys of three in particular – Rey, Luke and Kylo Ren. Continue reading →