In Yorgos Lanthimos’s latest work, politicians squawk and squabble, insult and chastise, demean and decry. It’s a time of war, but personal status and desire are much bigger priorities than frontline strategy, and a royal palace that increasingly feels populated by childish personalities rarely puts country first.
Lanthimos and Co. probably weren’t expecting or intending for “The Favourite” to have so much in common with the American political hellscape of 2018, but this delightfully deranged retelling of power struggles in 18th-century England makes for eerie and enticing comparison. During an age when it’s become increasingly difficult for satirists to make hyperbolic sense of our world, “The Favourite” – a period piece “Mean Girls” with layers of complexity – smashes us over the head with (mostly) historically accurate allegory. Continue reading →