Something was always going to give.
The space-time continuum splintered when it was announced, seemingly a decade ago, that Shane Black would helm the next installment of the unquenchable “Predator” franchise.
On one hand, you have a nostalgia-fueled auteur responsible for two of the smarter comedy-mysteries of the 2000s. On the other, he’s taking on a sci-fi property in freefall correlating with an insistence to stay bound by shackles of self-seriousness. Continue reading →