Review: ‘Yardie’ is an underwhelming directorial debut from Idris Elba

The director’s chair being filled with established actors is becoming an increasingly popular card for Hollywood to pull these days, albeit with wildly varied results.

Up until this point, the reception to those efforts in a way mirror the novice auteurs behind the camera; Bradley Cooper’s “A Star Is Born” – perhaps you’ve heard of it? – garnered near-universal acclaim to the tune of multiple Academy Award nominations. It’s a beloved film, much like its director-actor was before its release.

On the flip side, another actor still working under the radar despite having collaborated with the likes of Paul Thomas Anderson, Denis Villeneuve and Steve McQueen quietly directed one of the most intoxicating films of 2018. But Paul Dano’s “Wildlife” was, to a similarly strange degree as its director, seemingly never meant to break into the cultural consciousness in a meaningful way, despite the praise heaped onto it by critics.

So it will be interesting to see how Netflix’s audience responds to “Yardie,” the enticing-but-jumbled directorial debut from Idris Elba, when it’s released on the streaming service in mid-March. Though if merit has any say, it may struggle to hold the attention of movie-watchers. There’s a restlessness at the heart of the film, but in the end that attitude does little more than throw crime, familial drama, music and a sprinkling of Jamaican lore into a pot to create something of underwhelming taste.

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