Are the Oscars about to take a step back?

There’s more than one reason why we continue to remember the final Oscar awarded on the evening of February 26, 2017 – or, more specifically, the act of its awarding – as a shocking turn of events for the Academy Awards, awards shows in general and those involved, not to mention the millions watching at home.

If dictionaries included video examples of its entries, we would see this under “fiasco”: Those few moments, witnessed then and recalled now as feeling like much longer, when golden statuette-clutching “La La Land” producer Jordan Horowitz announced that the actual Best Picture winners were in fact those behind “Moonlight.” And legitimately so; it remains an absurd occurrence, an oft-forgotten example of the mayhem that can unfold on live television.

When the golden Oscar dust had settled, however, when all the actors (pun partially intended) involved had said their piece on what happened and media outlets broke down the sequence of events like an episode of “CSI,” a more historically impactful (and decidedly less clickbaity) reason for that event’s enduring legacy began to emerge. Continue reading →