How ‘It Chapter Two’ robs book-readers of Stephen King’s bittersweet finale

WARNING: SPOILERS FOR “IT CHAPTER TWO” AND STEPHEN KING’S NOVEL FOLLOW. 

No one who’s read the behemoth that is Stephen King’s “It” was fooling themselves that Andy Muschietti’s 21st-century duology would have been completely faithful in its translation to the big screen. Fully fleshing out the Loser’s Club’s friendships and King’s trademark themes of childhood innocence lost is one thing; imbuing visual language into the cosmic origins of the extra-terrestrial being that is Pennywise and his eternal battle with a space turtle who vomited the universe is another ask altogether.

2017’s “It” realized this to a successful degree, subtly drawing on the aspects of King’s novel that would best cater to the attentive contours of mainstream horror audiences – the omnipresence of evil in Derry’s history, the emotional anchor of the young Losers, a malevolent force that could shapeshift into our worst fears – while mostly leaving to the page the bits that were too eccentric and narratively ambiguous for a studio movie to try to recreate. This is a buzzy Warner Bros. production, after all. Not an A24 joint. Continue reading →

Review: ‘It’ a thrilling, if flawed, big-budget horror offering

There hasn’t been very much in the way of blockbuster horror lately.

Instead it’s been a tale of two extremes for the genre; either we’ve had the student film-esque, cheap scare formula made popular by Paranormal Activity that resides in cheese territory, or arthouse offerings like It Follows and The Witch with subtext that is sometimes scarier than anything manifested onscreen.

The Conjuring comes closest to representing a compromise of the two sub-genres, with its sense of bigger-scale, crowd-pleasing terror that doesn’t forget about the importance of character. Continue reading →