WARNING: SPOILERS FOR “IT CHAPTER TWO” AND STEPHEN KING’S NOVEL FOLLOW.
No one who’s read the behemoth that is Stephen King’s “It” was fooling themselves that Andy Muschietti’s 21st-century duology would have been completely faithful in its translation to the big screen. Fully fleshing out the Loser’s Club’s friendships and King’s trademark themes of childhood innocence lost is one thing; imbuing visual language into the cosmic origins of the extra-terrestrial being that is Pennywise and his eternal battle with a space turtle who vomited the universe is another ask altogether.
2017’s “It” realized this to a successful degree, subtly drawing on the aspects of King’s novel that would best cater to the attentive contours of mainstream horror audiences – the omnipresence of evil in Derry’s history, the emotional anchor of the young Losers, a malevolent force that could shapeshift into our worst fears – while mostly leaving to the page the bits that were too eccentric and narratively ambiguous for a studio movie to try to recreate. This is a buzzy Warner Bros. production, after all. Not an A24 joint. Continue reading →