Adam Sandler is such a morally unkempt, familiarly uncouth and determinedly unkillable livewire of shameless intention in the adrenaline rush of “Uncut Gems” that watching him in Josh and Benny Safdie’s new film doesn’t involve seeing an actor strut about and say their lines so much as observing a star on the verge of bursting into supernova.
And as Sandler’s pernicious Jewish jeweler Howard Ratner goes, so do the Safdies and their movie. “Uncut Gems” – a grand showcase of acting, and also of the Safdies’ cosmic filmmaking sensibilities – swells when Howard swells, spirals when he spirals and takes a breath when he takes a breath (which, if I recall, is practically never). As with Robert Pattinson in the Safdies’ 2017 breakout “Good Time,” Sandler’s performance and the movie itself are impossible to separate and scrutinize on separate terms. A scant few other films in 2019 have had a similar kind of deeply-anchored performance—among them Elisabeth Moss in “Her Smell,” Lupita Nyong’o in “Us” and Jessie Buckley in “Wild Rose.”
It may very well be a career-defining performance for Sandman, but it’s worth parsing out what exactly that means for someone whose filmography is enshrined in memes and reaction gifs, and not necessarily conversations of the prestige. Continue reading →