Review: ‘Widows’ is an increasingly rare caliber of thriller, and bold new territory for Steve McQueen

There’s a scene early in “Widows” – Steve McQueen’s latest and most unorthodoxly mainstream movie – in which Robert Duvall’s aging, racist local statesman tells his son and heir that his new $50,000 painting comes across as mere wallpaper.

Colin Farrell’s Jack Mulligan responds with a nondescript rebuke, as if on a deeper level he doesn’t fully disagree: “It’s art.”

The brief exchange can garner a universal chuckle for those watching in a moviehouse, but one gets the sense that isn’t McQueen’s intention. How we react to the scene, after all, is also a product of our experiences.

Would $50,000 turn our lives around? Is it pocket change? Do we ever dream of being at a place where that sum of money could be spent on a single, needless piece of wall decor? Could we dream of it? Continue reading →

Advertisements

Stan Lee’s impact on someone who never opened a comic book

I had just turned 9 years old when Dad took me to see “Spider-Man 2” at an Indiana movie theater. It was the summer of 2004, and there was little foundation in my mind for what I could expect to marvel at on the big screen, other than the first Spidey movie and a tie-in computer game I spent some time playing a few years prior.

Of course, that didn’t stop me, nor millions of others, from having a hell of a moviegoing experience. In 2018 “Spider-Man 2” still a highlight of the genre—even though its arrival was still early in the era of the superhero movie, when Marvel Cinematic Universe wasn’t yet a part of the Hollywood lexicon.

It was also a movie that led me to an epiphany. Continue reading →