The title of “Hail Satan?” is presented as a question. But from the viewpoint of this documentary on the contemporary non-theistic, activist movement that is the Satanic Temple, and the everyday people who run it, it’s pretty clear-cut – perhaps to the point of ironic confirmation, more likely to the point of semi-existential shock – who can or can’t legitimately call themselves a Satanist. At least by the temple’s definition.
The inquiry is much more affirming than you’d probably expect, and after just a few minutes you realize it would generate more rigorous self-reflection to ask yourself something along the lines of: “Do I want to get up and make myself a sandwich right now?”
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2018 was a gnarly f*cking year.
I think no matter what your political affiliation, how much time you spend on Twitter or whether you stan DC or Marvel films, we can all agree that that is fact now that it’s over.
Thankfully, we still had new cinema to turn to. To provide us solace, to help us make sense of it all, to provide context for changing times and to make us wish that we had a bucket hat-wearing, marmalade sandwich-munching expatriate helping us to get along with each other.
But perhaps even Paddington was too good for this world.
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71 years after a UFO allegedly landed in southeast New Mexico – instantly cementing the town of Roswell as a pop culture monument and Mecca to UFO enthusiasts – the memorialized crash site finally held its first public tour.
This is the story of that tour, and the five strangers who came from vastly different places and backgrounds to be there, united and joined by their belief.
For the full print story, published in the Albuquerque Journal, click here or here.
We typically enter documentaries in a different mindset, a different approach than with typical Hollywood fare.
Familiarity bypasses anticipation not by way of absent excitement, but rather because we expect to delve deeper into a subject we’re already at least somewhat familiar with. Earlier this year, the melancholic “Won’t You Be My Neighbor?” underwent that route to excellent ends.
“Three Identical Strangers,” however, defies that expectation. If you know this story, chances are you only know how it begins. As has become customary in the age of instant gratification and mistaking 280 characters on Twitter for a news story, we rarely follow up on the flavor of the 5-minute trend – and that’s where the film seizes its chance to captivate. Continue reading →