Review: Jordan Peele’s ‘Us’ is a deeply-layered, uber-ambitious genre movie

“Blink, and you might miss it” is the great, contradictory nature of horror. Spontaneity is an on-ramp to FOMO when watching a scary movie; there’s a reason the genre is so closely associated to images of multiplex audiences practically peeling back their eyelids like they themselves are the target of the flashing knife, the pouncing boogeyman, the black-magic spell being cast.

For as long as we’ve been terrified by the nightmarish images conjured up by Hollywood’s twisted minds, we’ve been equally as enamored. Our hands can be cages in which we’d gladly cut ourselves off from watching what unfolds on-screen, but – to borrow from the same metaphor – our fingers are also the bars. And some deep-rooted force is typically victorious at encouraging us to bear witness.

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Review: For “mother!” Aronofsky trades subtlety for potentially meaningful mayhem

“It affects everyone in a different way,” says a narcissistic Javier Bardem in Darren Aronofsky’s hieroglyphics-filled-cavern of a movie, “mother!”

Yeah. I’ll say.

This is a film that has been nothing if not a bastion for discussion as the Cinematic Year transitions to awards season. “IT” has horrified mainstream audiences for two weeks (as well as satisfied New Line Cinema to the tune of the biggest horror opening ever) and I’d like to think that Paramount picked the week after to release “mother!” in order to provide a different – a VERY different – sort of disturbing experience in the theater. Continue reading →