Review: In transition from lobsters to ‘Sacred Deer,’ Lanthimos embraces cruelty

The latest film from Yorgos Lanthimos is one that somewhat proudly stands on an infrastructure of masochism, both implicit and explicit.

“The Killing of a Sacred Deer” is uncomfortable virtually all the way through – for both its characters and for us in the seats watching through peered fingers. The Greek director/writer who broke out as a sort of demented Wes Anderson with last year’s Oscar-nominated “The Lobster” has now added a dash of Darren Aronofsky, and the result is one of the more original and – no matter how hard some will try to repel its sadistic vibes – unforgettable motion pictures of 2017. Continue reading →

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