Review: For “mother!” Aronofsky trades subtlety for potentially meaningful mayhem

“It affects everyone in a different way,” says a narcissistic Javier Bardem in Darren Aronofsky’s hieroglyphics-filled-cavern of a movie, “mother!”

Yeah. I’ll say.

This is a film that has been nothing if not a bastion for discussion as the Cinematic Year transitions to awards season. “IT” has horrified mainstream audiences for two weeks (as well as satisfied New Line Cinema to the tune of the biggest horror opening ever) and I’d like to think that Paramount picked the week after to release “mother!” in order to provide a different – a VERY different – sort of disturbing experience in the theater. Continue reading →