An unusual contradiction of expectations await the arrival of “Dark Phoenix.” For reasons motivated more by corporate hegemony than pure storytelling, the 12th entry in the “X-Men” franchise is essentially the last under the 21st Century Fox umbrella, following the studio’s acquisition by Disney earlier this March.
So, suddenly and somewhat startlingly, “Dark Phoenix’s” responsibilities are multiple, not the least of which is to provide a sense of finality. Depending on where your franchise loyalties lie, that may not be nearly as important as fixing the mistakes of 2006’s Brett Ratner-directed “X-Men: The Last Stand”; after “Days of Future Past” – still the most memorable of this recent run of “X-Men” extravaganzas – nuked its timeline in 2014 in ways we still don’t quite understand, the franchise had a clean slate to revisit the beloved Dark Phoenix comics storyline, and to tell it the right way.
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They linger, skitter and roar; excite and intimidate. Their presence can be curious, and at times the absences of others are a relief. They have their own hierarchies, although at times clashes can break out for the worst.
When a film’s moniker bears the words “fantastic beasts,” it’s not an advantage when those above words describe its multitudes of plot threads as accurately as the extraordinary creatures conjured up for J.K. Rowling’s wizarding world.
Much like this universe’s beloved nifflers, powerful dragons or sassy bowtruckles, the various tidbits of story and exposition in the second installment of this “Harry Potter” prologue series are disparate, with their own ambitions and unpredictable tendencies rooted in a hunger for attention. Ultimately, it’s to the film’s detriment, though fans of the series would be hard-pressed to leave the theater not feeling a little enchanted simply on the merits of returning home to this universe. Increasingly, it feels like reuniting with an old, robed friend. Continue reading →