You’re watching closely, listening intently. You’re trying to follow Detective Poirot’s keen instinct, while trying to resist the fact that you’ve lost him many scenes ago. You’re accepting the clichés, for whatever they’re worth, because you’re hoping it will all pay off in the end.
And then, all of a sudden, the end is here – seemingly out of nowhere, with little fanfare and even fewer clues that the mystery was ever close to being solved. The payoff? Miniscule. Continue reading →
It’s about time we got something like “Thor: Ragnarok.”
After nearly a dozen years of spinning an increasingly complex web of Marvel stories and characters, the studio realized a need for giving audiences something new and invigorating; something to keep the spark alive, if you will. And they picked the perfect franchise to do it.
With “Ragnarok,” one of the MCU’s least consequential (and – let’s face it – one of its least interesting) franchises doesn’t just get a facelift; it’s infused with a new energy. With the third solo entry for Thor – “solo” becoming more and more ambiguous the further along the MCU machine churns – he’s officially the ugly girl you initially passed up on who went on to become a runway model. Continue reading →
The annual International Balloon Fiesta is the premier event in the state nicknamed the Land of Enchantment, and it more than justifies that title.
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First things first, and believe me, based on some of the reactions I’ve gotten in the past, it bears importance starting out with this: I don’t consider myself a film expert.
If I did, I wouldn’t be writing about movies. I’d be trying my hand at making them. And potentially making a hell of a lot more money than I do now writing reviews (which amounts to exactly zilch. What’s up, Rolling Stone?).
But I don’t. I watch a lot of movies (some people might think too many. Sorry, Mom), and I feel like with each one I’ve seen – even the stinkers – I’ve learned something new about the medium. But through nearly 22 years and four months of life, never has that led to a particular desire to create a movie, no matter how much I respect the hell out of people who do, on any level. Continue reading →
There’s something that feels ironically punctual when experiencing “Blade Runner 2049,” 35 years after the debut of the iconic and innovative original continues to influence pop culture in ways we’ve become accustomed to by now.
Maybe it’s the fact that the long-gestating sequel was always waiting, in spirit, for Denis Villeneuve, like he was some long-awaited prophet whose destiny it was to accomplish the impossible on multiple levels (and accomplish, he has).
It could just be that we’re a little over a year away from when the events of Ridley Scott’s film take place – a bleak, dystopian take on impoverished 2019 Los Angeles that in many ways mirrors the personality some parts of the country have taken on: Desolate and deadly. Continue reading →
Like the ostensibly unordinary back-and-forth dance that eyeballs engage in while watching a tennis match, so too does “Battle of the Sexes” breeze along fairly unspectacularly in telling the story of former tennis champion and feminist icon Billie Jean King.
And like a dramatic gaining of a point in tennis serves to remind the owners of those eyeballs that there is much more talent involved than they may realize, so too does Emma Stone turn in another forceful and endearing performance — one of the very best of the year, really — as King. Continue reading →
“It affects everyone in a different way,” says a narcissistic Javier Bardem in Darren Aronofsky’s hieroglyphics-filled-cavern of a movie, “mother!”
Yeah. I’ll say.
This is a film that has been nothing if not a bastion for discussion as the Cinematic Year transitions to awards season. “IT” has horrified mainstream audiences for two weeks (as well as satisfied New Line Cinema to the tune of the biggest horror opening ever) and I’d like to think that Paramount picked the week after to release “mother!” in order to provide a different – a VERY different – sort of disturbing experience in the theater. Continue reading →
There hasn’t been very much in the way of blockbuster horror lately.
Instead it’s been a tale of two extremes for the genre; either we’ve had the student film-esque, cheap scare formula made popular by Paranormal Activity that resides in cheese territory, or arthouse offerings like It Follows and The Witch with subtext that is sometimes scarier than anything manifested onscreen.
The Conjuring comes closest to representing a compromise of the two sub-genres, with its sense of bigger-scale, crowd-pleasing terror that doesn’t forget about the importance of character. Continue reading →
By David Lynch
ALBUQUERQUE, N.M. – Now faced with the very real possibility that some of their friends, family or even themselves will lose some of the benefits they were granted under the DACA policy, hundreds flocked to Civic Plaza in downtown Albuquerque Tuesday afternoon in a show of solidarity.
Supporters of all ages and demographics – from UNM professors to high school students to retired citizens – were on hand for the rally, organized by the New Mexico Dream Team. It followed U.S. Attorney General Jeff Sessions’ official announcement that the Donald Trump administration was going to rescind DACA, or Deferred Action for Childhood Arrivals, affecting nearly 800,000 children and young adults across the country who were brought to the U.S. by their parents at a young age. Continue reading →
It’s hard to imagine a scenario decades down the road where the modern Planet of the Apes trilogy is neglected to be brought up when discussing the best films of the 2010s.
In an era dominated by the superhero genre, where the merging of smart cinema with popcorn fare yields more misses than bullseyes, these Apes movies – Rise of the Planet of the Apes, Dawn and now War – have managed to strike the most high-wire acts of tonal balances, providing a go-to how-to on how to reboot a classic franchise in the process.
At the same time, it’s elevated Andy Serkis and the potential of motion capture/CGI performances to a higher level of stardom that continues to be underappreciated over the franchise’s run. Continue reading →