“Don’t Let Go,” a supernatural crime drama arriving in the dog days of summer from writer-director Jacob Estes and Blumhouse, is just strange and unusual enough to belong in the production company’s stable of strange and unusual movies, though also enough of a conceptual bait-and-switch that it stands out among the much zanier “Happy Death Days,” “The Purges” and “Paranormal Activitys” of the world.
The story juggles multiple timelines, puncturing the fabric of logic when Jack (the reliable David Oyelowo), a cop mourning the sudden murder of his niece – along with his brother and sister-in-law – suddenly receives a phone call with her on the other end and seemingly from before the crime, ostensibly setting up a trippy mind-bender of a movie.
But Estes here is interested mostly in humanity—not genre. The high-brow is just a different, if not unearned, guidepost to a formulaic cops-n’-robbers story, with shades of domestic drama barely potent enough to keep the world from operating outside a palette full of gritty greys. Continue reading →